Floating Point

Max Tilmann MNRG, Portugal Hardcover  This man is a painter from Dusseldorf, Germany and has studied at the Art Academy there.  I see similarities to Basquiat and Keith Haring here.  The shock value of the images is horrific.  There are references to every crime known to humanity and social problem.  The way they are framed in a brutish painting style lends the subjects a sterile anonymity that frees us from the pain of witnessing, enduring. Does compassion go dry here?  I feel in the "brutal" lines the brush did not jump, deviate, or dry out with any sort of anxiety. What message is expressed in the muted variance and the calmly nuanced movement of the hand and the brush?  These minimal compositions with their simple yet conscious application guide us gently through the carnage of human interaction, inequality, and vapid reflection... He draws the subjects of senior citizens undergoing sexual slavery, dying abortions and smokestacks with the calm innocence of a Ane

"SWAMR!" And Various Work Michael Olivo Oakland CA 2012 Self Published I've been blogging about this particular illustrator a lot recently but wanted to formally congratulate him for having a sensibility that is simultaneously refreshing, hard edged, clean-lined, and downright hilarious, even mysterious. Recently he has had a spot in the New Yorker, and also has been blogging for Beautiful Decay.  He was also featured in a  large anthology put out by Andy Burkholder in Chicago for the annual zine fest "CAKE."  .   His work reminds me of a shattered realm viewed through broken glass.  Keith Haring and Kiki Picasso collide in a realm of deadpan non-sequiturs, cryptic humor, and air-plane safety manuals. There is so much humor in the work, I find myself cracking up.  For example the small color strip "Sewer Dongs" has to be the funniest thing I've seen in 6 months.   There is little to no dialogue, but the silent Futurist Absurdi

Reset #1 Peter Bagge 2011 Dark Horse   Peter Bagge first got famous in the 90's with his epic creation, HATE, starring an angst-ridden cast of grunge hipsters in Seattle, and later Jersey.  I couldn't help but be blown away by the pacing, acrid dialogue and hilarious situations that struck way to close to home even now as a struggling bohemian with a bad temper and a drinking problem. However it is 2012, and Peter Bagge has decided to try his hand at other subject matter, which is science fiction and midlife crisis.  I read the first installment of this which was handed to me by a friend in Oakland, CA with the warning of "It sucks."  A lot of artists get softer in their old age and want to do work that either perpetuates their previous modus operandi in a watered-down way or takes a turn in an awkward way... I feel that this story is the latter.  Chris Ware and Dan Clowes switched up their subject matter to themes personal to them as they got older, and so d

Alien Invasion Volume II 2012 Lala Albert, NYC http://plslala.blogspot.com/ Self Published   While in NYC, I was given this Zine by the artist Lala Albert at a private comic book sale near Chelsea in Manhattan.  The cover was a day-glow reference to our lost adolescence.  I first encountered her drawings in Vice Magazine a year or two ago.  The eyes and the Anime faces were a mysterious combination of artistic concentration and utter kitsch that were fascinating and hilarious... She also did quite a good job with her piece that appeared in Happiness #2 this year, a Zine printed in NYC by Leah Wishnia.  http://happinesscomix.tumblr.com/ Initially I assumed her work to be done by a 19-21 year old male.  The subject matter never varies.  The women are waif-like and always sport the grotesque, reptilian eyes.  The consistency of this theme, application and prolific output speak of maturity which conveys the irony. The naked woman theme and the strong presence of Anime in

MMMNNNRRRGGG comics, Portugal Published June, 2011 44 pages, 6.5 x 9 inches soft bound, two colors This book was mailed free of charge to me by the enigmatic Portuguese publisher MMMNNNRRRGGG.  I was immediately drawn to its effective use of artistic sensibilities that referenced ancient Greek imagery in an Art Deco/Nouveau context; probably Aubrey Beardsley.  There is however a modernist simplification of those styles, the hatching and meticulous rendering are traded for minimalist washes of pink and careful line work, which evoke at times Japanese Ukiyo-e or the pop art of Roy Lichtenstein.  The group responsible for this book is a collective going by the name of "Empirio."  One of their members is photographed here.  (Hey, good lookin'.)  That visual style, old and new, tasteful and reductive, is a good way to describe the content of this book, which is indeed a manifesto, a documentation of a group's beliefs and ideals.  In 2012 it's quite absurd